I continue to work in abstract form. Each monotype is a unique print. I ink up the steel bed of a large off set press. After manipulating the image it is transferred on to the roller and offset on to the paper. When the oiled based ink is dry, further layers can be applied. I am interested in the relationship between shapes and the space they occupy.
I also work at Volcanic Editions using layers of sheet acetate on an etching press.
I studied fine art at Central St Martins.